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1 year and 3 months ago
Tuesday, July 29, 2008 at 12:32 pm

 

http://cloutonline.com/files/clout_10_cover.gif

 

 

Read on for the editorial...

Versatility is one of the keys to success and all the interviewees in this tenth issue possess that quality in one way or another. The Game has been leading the West Coast resurgence for some time now and with his record label, The Black Wall Street, has been bringing up artists like Clyde Carson to follow suit. Hailing from Oakland, California, Clyde Carson is one of the Bay’s most promising stars and when we met up with him at the Coliseum Yard in The Town, that star quality was quite evident. Purveyor of Hyphy Juice, Clyde Carson not only has his music game on tight, but business as well. Another rising star from the Bay, Traxamillion has been knocking out slap after slap and lyrically, is just as good as his production and you’ll be hearing a lot more from this young star who’s working with some of rap’s major players. In the next issue, we will be featuring an in-depth interview with the man who put Clyde Carson’s hometown on the map and who’s also worked with Trax, rap pioneer and living legend, Too $hort, so stay tuned. From the East Coast, we’ve got Brooklyn’s Tek and Steele of Smif-N-Wessun, who are now back with a new album and a refreshing amount of insightful lyrics. Speaking of Brooklyn, photographer Boogie, who was born and raised in Belgrade, Serbia and now calls NY home, has shot various images of street life around the world and gives us some insight in a Q&A session. Portland, Oregon based artist Ryan Bubnis, who is just as comfortable in a train yard as well as in a gallery, shows us some of his new work and talks about his art and what the future holds. Infamous Australian madman Chopper Read who was notorious as a criminal, and is also a successful author and surprisingly now a recording artist is an example of how versatility helps to keep one relevant. MUCH, whose versatile style graces numerous freight trains that roll across America, converses with EWOK in one of my favorite interviews to date. Lastly, I agree with ALOY in that graffiti should be done for the fun of it. Check out his interview along with flicks of some dope ass spots he’s caught. Versatility is key. Be smart, be safe and as Much says, more painting less posting.

CULT OF BEAUTY

To get this issue before the stores do. BUY NOW.

1 year and 3 months ago
Monday, July 28, 2008 at 12:14 pm

Find out more at: INNERCITY

1 year and 3 months ago
Wednesday, July 23, 2008 at 11:44 am

Largest Graphotism interview ever, 52 pages interview with the graffiti beast himself REVOK!

 

 

 


Find out more at: REVOK1.com and Graphotism

1 year and 3 months ago
Wednesday, July 23, 2008 at 11:34 am

1 year and 3 months ago
Thursday, July 17, 2008 at 2:21 pm

Visit the Yves Laroche Web Site to read the interview and see lots of pics...

1 year and 3 months ago
Thursday, July 17, 2008 at 2:03 pm

1 year and 3 months ago
Tuesday, July 15, 2008 at 7:42 pm

Augor x Revok x The Dark Knight from Meat Post on Vimeo
1 year and 3 months ago
Tuesday, July 15, 2008 at 7:27 pm

Find out more at:

www.urbanaction.us

TAGGED: BBOY IVAN, R16, VIDEO
1 year and 3 months ago
Sunday, July 13, 2008 at 3:09 pm
TAGGED: CANADA, CAUSER, TSL, UTAH, VIDEO
1 year and 3 months ago
Sunday, July 13, 2008 at 3:01 pm
TAGGED: TSDP, VIDEO
1 year and 3 months ago
Saturday, July 12, 2008 at 1:43 am



"The above two pieces of art were stolen from the SF RVCA store two days ago (not during the opening). They are from permanent/private collections and, without going into detail, have a great deal of sentimental value to the artists.

I don't want to go on a rant, but I'm having trouble holding back on this. To me there are only two conceivable reasons a person would do this:

1. You really really love this person's work and cannot afford it.

OR

2. You did it to make money.

The problem with #1 that it strikes me as an interesting dichotomy for one to seemingly have a large enough respect for the artist that they would risk doing something like this, yet knowingly be causing damage to the artists, gallery owners, and art scene in general. When this happens, everyone involved is much less likely to participate the next time around which is bad for us all. A knife in the back is an odd way to show love...

The problem with #2 is that naturally when fencing art you're going to be selling it at a drastic loss while simultaneously increasing your chances of being caught trying to do so. If we were talking about something you stole from the Louvre - yes, maybe I can understand that may be a risk worth taking for some people who stand to gain a few million out of it; but in all honesty what do you stand to make out of this deal, a couple hundred dollars? Not many buyers are willing to obtain knowingly stolen art by these artists.

If you have any information about this, or means of having the artwork returned - there will be absolutely no questions asked and no legal efforts made to follow up on you or any involved parties. They just want the pieces back. You may contact me privately (art@unaesthetic.net), any of the RVCA staff (415-701-7822), or set up an anonymous third party to communicate through."

Or email us and we will handle it!

1 year and 3 months ago
Tuesday, July 8, 2008 at 7:44 pm

photo by G@BR!3L

1 year and 4 months ago
Monday, July 7, 2008 at 6:54 pm

New billboard by Augor and Revok

The Return Of The Dark Knights , Augor x Revok x MSK

photo by G@BR!3L

TAGGED: AUGOR, HEATH, REVOK

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