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3 months ago
Tuesday, July 28, 2009 at 12:47 am

WeAreSuperVision's Pose and KC were invited by Threadless Tees to create designs for a limited edition collection based around Graffiti for their Select line. Other artists include Michael "Wise" Delahaut and Freedom. The series is curated by Roger Gastman. The shirts are now available on line through the threadless select store at: select.threadless.com

Find out more at: WeAreSuperVision.com

3 months ago
Thursday, July 23, 2009 at 11:25 pm

My man Roger Gastman has entered the world of blogging, twitter account coming soon!

Check it out HERE

3 months ago
Monday, July 13, 2009 at 9:24 pm

Find out more at: COOLDISCODAN,net

5 months ago
Friday, May 15, 2009 at 10:58 am

www.TAKI 183.net


Graffiti writers around the world know the name that started it all: TAKI 183. A kid from 183rd Street in northern Manhattan, TAKI 183's simple signature captured the attention of a reporter and, on July 21, 1971, the article "TAKI 183 Spawns Pen Pals" appeared in The New York Times.

Just like that, TAKI 183 became a graffiti legend, with rumors spreading that he even tagged a Secret Service car and the Statue of Liberty. Amid all the rumors, TAKI 183 remained silent. Now, almost four decades later, TAKI 183 has emerged to tell his story.

This site includes photos of TAKI 183's work, images of his friends and contemporaries, his true story and, for the first time, official TAKI 183 limited-edition screenprints.

There are currently three screenprints available in the store:

COLLAGE

A collage design made up of The New York Times article about TAKI 183 from July 21, 1971, and various high school newspaper articles and drawings about TAKI 183 from 1970.

Four-Color Hand-Pulled Screen Print
18 x 24
120 lb. matte
Edition of 183
Signed by TAKI 183
Shipped via USPS

RED SUBWAY TILE

An ornate tile pattern of the New York City subway walls makes the perfect backdrop for an original TAKI 183 paint tag. Each of the 50 prints is unique in that no two tags are exactly alike. This is your chance to have a real TAKI 183 tag, overspray and all!

Three-Color Hand-Pulled Screen Print on Natural Color

26 x 38.5
20 pt. textured stock
Edition of 50
Signed by TAKI 183 in black spray paint
Shipped via USPS

BLUE SUBWAY TILE

An ornate tile pattern of the New York City subway walls makes the perfect backdrop for an original TAKI 183 paint tag, as well as marker tags by three of TAKI 183's mentors: PHIL T GREEK the 1st, PHIL T GREEK the 2nd and GREG 69, both of whom started writing in early in 1969. Each of the 25 prints is unique in that no two tags are exactly alike. This is your chance to have a real TAKI 183 tag, overspray and all, plus marker tags of his mentors!

Three-Color Hand-Pulled Screen Print on Natural Color
26 x 38.5
20 pt. textured stock
Edition of 25
Signed by TAKI 183 in black spray paint, and in marker by PHIL T GREEK the 1st, PHIL T GREEK the 2nd and GREG 69.

5 months ago
Wednesday, May 13, 2009 at 5:21 pm

photo: MARTHA COOPER

www.taki183.net

Graffiti writers around the world know the name that started it all: TAKI 183. A kid from 183rd Street in northern Manhattan, TAKI 183’s simple signature captured the attention of a reporter and, on July 21, 1971, the article “TAKI 183 Spawns Pen Pals” appeared in The New York Times. 

Just like that, TAKI 183 became a graffiti legend, with rumors spreading that he even tagged a Secret Service car and the Statue of Liberty. Amid all the rumors, TAKI 183 remained silent. Now, almost four decades later, TAKI 183 has emerged to tell his story.

This site includes photos of TAKI 183’s work, images of his friends and contemporaries, his true story and, for the first time, official TAKI 183 limited-edition screenprints.

There are currently three screenprints available in the store: “Collage” features a design made up of the The New York Times article and various high school newspaper articles and drawings about TAKI 183; “Red Subway Tile” features an ornate tile pattern of the New York City subway walls and an original TAKI 183 paint tag; and “Blue Subway Tile” includes the tile pattern and TAKI 183 tag, plus marker tags by his mentors PHIL T GREEK the 1st, PHIL T GREEK the 2nd and GREG 69.
 
More TAKI 183-related projects are coming soon, so please check back often or sign up for the newsletter.
 
 

8 months ago
Tuesday, February 24, 2009 at 6:55 pm

Photos by KC Ortiz

On February 20, Phaiz, Chicagoʼs emerging cutting-edge exposition space, presented “Opera Pink,”a site-specific solo installation by San Francisco-based artist Richard Colman. Filling the 800-square-foot gallery, Colman installed a series of tiles and paintings on wood panels and paper complemented by background wall paintings, creating a large-scale, psychedelic-type landscape mural to indulge the senses.

Our friends at We Are Supervision had the chance to hang out with Rich during the install for the show. Here are some of the amazing shots.

Find out more at: Swindle Magazine

9 months ago
Monday, February 2, 2009 at 8:08 pm




The Whimsical Works of David Weidman

(And Also Some Serious Ones)

Charming, warm and clever, David Weidman’s “graphic statements” exude the artist’s playfulness and appetite for development and experimentation. The Whimsical Works of David Weidman (And Also Some Serious Ones) spans nearly three decades of his illustrations, cartoons, serigraphs, lithographs and posters, from his beginnings as a commercial illustrator and animator in the 1950s through his printmaking career in the ‘60s and ‘70s.

Weidman’s greatest acclaim, or simply his biggest connection to a more widespread culture, comes from his work on many popular cartoon series in the ‘50s and ‘60s. While the characters on those cartoons often bore appearances given to them by other artists, the scenery and atmosphere that surrounded those characters reflected Weidman’s vision. The endearing quirks of the backgrounds he drew seemed to speak more about Weidman himself than one might expect from a commissioned illustrator. Indeed, they were worlds of his own creation – the characters were simply drawn into it. He created a groundbreaking style that defied and was later mimicked by the Disney orthodoxy.

The Whimsical Works of David Weidman (And Also Some Serious Ones) gives an overview of the iconic, witty, colorful style of this octogenarian artist. His graphic sensibility and expert use of saturated color palettes evoke the vintage modern look while remaining completely relevant to contemporary designers. This collection is a long overdue career retrospective of a true originator, who created the look of an era.

Get the book on AMAZON.COM

 

9 months ago
Saturday, January 17, 2009 at 1:08 pm


WASHINGTON DC HISTORY LESSON PART 1:
Cool "Disco" Dan

With DC gearing up for it's biggest inauguration event in history Known
Gallery thought it would be fitting to drop a bit of true DC graffiti
history from it's crazier years.

******

Cool “Disco” Dan is a Washington, D.C., legend, a symbol of survival of the
city’s most difficult years. It was a graffiti nickname, That started
popping up in 1984, written in marker and spray paint throughout Washington,
D.C., clear and legible, never fancy. Any resident of Washington, whether
young or old, stick-up kid or congressman, couldn’t help but be intrigued by
its omnipresence. Who was this Cool “Disco” Dan?

Cool “Disco” Dan is an anomaly: He lived in the crack-ridden Washington,
D.C., ghetto—yet he never took or sold drugs. Though his father was abusive
and died young, Dan was raised by a stable family, and only as a young adult
did he become homeless. He witnessed at short range the spiraling street
violence of the late ‘80s and early ‘90s that earned D.C. the dubious title
of America’s “Murder Capital."

By the early ‘90s, Cool “Disco” Dan was D.C.’s biggest underground celebrity
after painting his moniker all over the city until it seemed as though no
wall, rooftop or street sign had been forgotten. He wrote on every Metro
bus, and took his name to every neighborhood, crossing socio-economic
boundaries in a way that no other graffiti writer in the city had ever done.
He was obsessed with making a name for himself with graffiti street fame.

To learn more about "Cool "Disco" Dan and his upcoming documentary telling
the true story of Washington DC check out: www.cooldiscodan.com

2 year and 1 months ago
Monday, September 24, 2007 at 11:10 pm
LOS ANGELES GRAFFITI
Page Count: 128, Size: 8 1/4 x 10 inches, Format: Paperback

Compiled by Roger Gastman, author of Freight Train Graffiti and co-founder (with Shepard Fairey) of Swindle magazine, this colorful book benefits from Gastman¹s long-term, intimate involvement with L.A. graffiti writers. Recruiting friends, and graffiti legends, like SABER and RETNA, Los Angeles Graffiti documents the history of the unique, world-class graffiti scene that thrives in Los Angeles. In particular, the interview with L.A. graffiti luminary POWER breathes history into these photographs of work created by the famous, infamous, and anonymous.

Available at: KnownGalleryStore.com

 
2 year and 5 months ago
Monday, May 14, 2007 at 9:15 pm


The long anticipated "SABER - Mad Society" book has just been sent to the printer! Roger Gastman, Saber and friends have been working hard on compiling images and information for the book for awhile now and the result is an amazing informative, stunning book. Saber's solo show in San Francisco and the relaunch of SaberOne.com will all happen around the same time as the book release. Limited signed copies will be available at KnownGallery.com
2 year and 7 months ago
Friday, March 30, 2007 at 1:16 pm


Find out more at: KushTV
2 year and 7 months ago
Thursday, March 29, 2007 at 11:29 pm

2 year and 7 months ago
Friday, March 16, 2007 at 8:25 pm




The Temptations

The Tempt One benefit

By CAROLINE RYDER
Wednesday, March 14, 2007 - 4:00 pm
Sneakerheads, graff writers and their skate-punk brethren have infiltrated the peaceful boulevards of Culver City. Garbed in all-over-print hoodies and baseball caps, they’re lining up outside the URB Gallery, where works by more than 100 big-name street artists are being sold tonight. Many of the featured artists are inside, milling around, and Stefan, a young graff writer from Venice, is desperate to get in. “I want to meet Eklips,” he says, referring to his favorite graffiti writer. “It’s gonna be the sickest.”

The Saturday-night art auction is benefiting terminally ill artist Tony “Tempt One” Quan, 38, West Coast graffiti O.G. and co-founder of Big Time, one of the first L.A. mags to document the culture. Tempt isn’t here tonight, because he’s in a hospital bed, paralyzed by amyotrophic lateral sclerosis (often referred to as Lou Gehrig’s disease), a neurodegenerative condition he has been fighting since 2003. He can’t move, and his communication is limited to blinking.

Tempt wants to leave the hospital and spend his last days at home, something that will cost his family a minimum of $50,000 in home nursing and equipment costs. So more than 100 leading contemporary and street artists — including Haze, Shepard Fairey, Barry McGee, Slick, Saber, Futura and Mister Cartoon — agreed to donate original works to tonight’s benefit, with all proceeds going to the Quan family. Raymond Roker, founder of URB magazine, offered his gallery space to the cause.

“It’s pretty unprecedented,” says Raymond Codrington, a cultural anthropologist whom I meet outside. Codrington seems to know his Saber from his Futura (he curated last year’s “Movement: Hip Hop in L.A.” exhibit), so I ask him if he’ll give me a guided tour of the art. We step inside, where the aerosol and Sharpie fumes are overwhelming. The environment is predominantly hipster male, with many favoring fedoras, fingerless gloves, and heavy black-rimmed glasses à la DJ Franki Chan. Young skate rats, looking fresh off a Larry Clark movie set, are holding cans of Krylon spray paint like accessories. The few girls I do see are wearing either lots of gold or none at all. Everyone is taking photos — of each other, of the bigtime graff artists in the crowd, and of the art. So much art, in every direction, in every imaginable color, style and medium.

There are black-and-white photo portraits of hot women by Estevan Oriol. Pencil sketches of Tupac and members of N.W.A. Graff legend Barry “Twist” McGee, one of the biggest artists to participate, has painted floating heads, small, square and frowning. A huge mural places Tempt’s black-and-white visage next to his tag. In the center of the room are 17 3-foot-high spray cans with little legs, each one customized by a different artist (one is dressed like a little gangbanger, with its face obscured by a black bandanna). There’s a set of painted skateboards on the wall, one showing the side of a New York subway train covered in Tempt artwork. The artist who donated them is an unknown who had turned up at the gallery that morning and given them his work (his pieces were among the first to sell).

Dave Flores, whose own art show opened tonight (next door, at Project:Studio), wanders in and checks on his piece. Saber, who created the world’s largest graffiti mural, along the concrete banks of the L.A. River, is hanging out by his triptych of dark, fantasy graff paintings. And the artist Blake Ingram, co-founder of the FUCT streetwear line, has donated a series of images showing his wife’s perfectly pedicured feet in hot, strappy high heels (“I have a little shoe fetish,” he later confesses).

I spot a silk-screened print showing Tempt’s own masterful brand of calligraphy. On the margins is a thumbprint. It belongs to Tempt. Slick, Tempt’s close friend, had taken copies of the poster to the hospital, pushed his friend’s thumb into an ink pad, and then pressed it onto each and every print. The driving force behind tonight’s benefit, Slick is posing for photos right now, talking to fans and signing the backs of their shirts. His eyes are tired, and sweat droplets line his brow. “Tonight has been really crazy,” he says. “I don’t know where to begin.” Then, breaking into a smile, he adds: “Tempt’s going to be proud.”

Find out more at: LA WEEKLY

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